





Natasha Rees (⚫️ Asbestos drain), 2025
Natasha Rees
(⚫️ Asbestos drain), 2025
Graphite, colour pencil, colour pencil wash, 2mm mount, UV/black light
14.8 x 21 x 0.5 cm
5 7/8 x 8 1/4 x 1/4 in
(NR25004)
Natasha Rees
(⚫️ Asbestos drain), 2025
Graphite, colour pencil, colour pencil wash, 2mm mount, UV/black light
14.8 x 21 x 0.5 cm
5 7/8 x 8 1/4 x 1/4 in
(NR25004)
Natasha Rees
(⚫️ Asbestos drain), 2025
Graphite, colour pencil, colour pencil wash, 2mm mount, UV/black light
14.8 x 21 x 0.5 cm
5 7/8 x 8 1/4 x 1/4 in
(NR25004)
Natasha Rees
Natasha Rees is an artist and writer based in London. Have exhibited at: Studio Voltaire, Dicksmith, Salon fur Kunstbuch-Vienna, Centre for Contemporary Art- Ujazdowski Castle-Warsaw (with Paul Clinton), Container-Tokyo, Studio 44-Stockholm, Vitrine, V22, Whitechapel Gallery, Donlon Books, The Woodmill, Frieze Art Fair, Dilston Grove, Airspace, among others. Founded self published zine, [The] Evidence in 2007. Currently runs CLASSWAROOM project space in Stratford (since 2020), is a pro-dedicated cat carer, and works for Art Monthly magazine.
“I use lots of methods to explore ideas. Sculpture, drawing, printed matter, writing, moving image, and collaboration... Sourcing ephemera to fetishise, impotise, and propose alternative understandings beyond immediate registers. I think it’s vital to interrogate what’s seen, read and heard to unlock corresponding interpretations for how things could sit in the world. I like to see my work as ‘heterogeneous matter’, rather than a homogenous output. In other words, an evolving critical response and engagement to human-ness within a kaleidoscope of social constructs.”
© Natasha Rees. Photo: Soliloquy (Images Doc).